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With all that in mind, here are some cameras that work really well for beginners. These are all reasonably priced crop sensor cameras that offer lots of options for lenses and can grow with you as a photographer.
Digital and movie cameras share an optical system, typically using a lens with a variable diaphragm to focus light onto an image pickup device.[3] The diaphragm and shutter admit the correct amount of light to the imager, just as with film but the image pickup device is electronic rather than chemical. However, unlike film cameras, digital cameras can display images on a screen immediately after being recorded, and store and delete images from memory. Many digital cameras can also record moving videos with sound. Some digital cameras can crop and stitch pictures and perform other elementary image editing.
Camcorders combine a camera and a VCR or other recording device in one unit; these are mobile, and were widely used for television production, home movies, electronic news gathering (ENG) (including citizen journalism), and similar applications. Since the transition to digital video cameras, most cameras have in-built recording media and as such are also camcorders. Action camera’s often have 360° recording capabilities.
There are many inherent advantages to a larger sensor. It allows you to better control the depth of field in images, making it possible to isolate your subject and create a blurred background. This blur is often referred to by the Japanese term bokeh. Much has been written about the quality of the bokeh created by different lenses, but the general rule of thumb is that the more light a lens can capture—measured numerically as its aperture, or f-number—the blurrier the background can be. A lens with a maximum aperture of f/1.4 lets in eight times as much light as one of f/4, and can create a shallower depth of field at an equivalent focal length and shooting distance.
The crux of it is that with a DSLR camera the lens has a mirror and prysm system, which reflects the light captured through the lens into the viewfinder. So you’re seeing exactly the same framed image (within 5–10%) as the lens is capturing.
Stick this camcorder in auto mode, and it will choose the best settings for capturing video well in many situations, including low-light shooting and fast-moving action. It’s also smaller and lighter than the Panasonic—a considerable plus for something that you will be carrying around all day.
Some DSLRs feature sensors that are equal in size to 35mm film. These full frame cameras are generally more expensive than their APS-C counterparts. If you see yourself moving up to a full frame in the future, be careful in buying lenses. Some are designed to be used with APS-C sensors. Canon refers to its APS-C lens line as EF-S, while lenses that cover full frame are EF. Nikon takes a similar approach, calling APS-C lenses DX and full frame lenses FX. Sony adds a DT designation to its APS-C-only lenses, and Pentax designates its APS-C lenses as DA.
Traditional SLRs struggle when it comes to video autofocus. Contrast-based methods require that the focus point move just beyond the point of crisp focus and come back to it in order to lock on, which can be distracting when refocusing to follow a moving subject. SLR makers have worked to improve this, utilizing lenses with Pulse or Stepping Motors, which are are quieter and smoother during focus, but they’re still not on the same level as most mirrorless cameras.
One of the greatest joys of photography is being there at the right moment to capture the perfect shot before it’s gone forever. A point and shoot camera gives you the speed and simplicity to make sure you don’t miss that one-in-a-million photo. And today’s point and shoot cameras are made with some of the best features of the digital camera world for an image quality that just a few years ago was only available to those with a DSLR. And that’s what attracts so many people to a point and shoot: their small size and lighter weight mean you can take them anywhere so you’re always ready for that unexpected photo op. With the wide selection of digital cameras at Best Buy, you’re sure to find a point and shoot with exactly the set of features that match the way you use your camera.
While photographers who want to capture distant subjects and take advantage of telephoto lenses will likely love the flexibility that the APS-C and Micro Four Thirds sensor sizes deliver, there are also a number of full-frame models aimed squarely at enthusiasts. The full-frame size, called so because it matches 35mm film in physical dimension, is a solid choice for landscapes, portraiture, event coverage, and reportage. The larger sensor provides more control over depth of field when paired with wide aperture glass.
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Sensor: APS-C CMOS | Megapixels: 24.2MP | Autofocus: 45-point AF, 45 cross-type | Screen type: 3-inch articulating touchscreen, 1,040,000 dots | Continuous shooting speed: 6fps | Movies: 1080p | User level: Beginner/enthusiast
Product – Sony HD Video Recording HDRCX405 Handycam Camcorder – Black Ultimate Bundle with 32GB High Speed Micro SD Card, Spare Battery, AC/DC Charger, Table top Tripod, Padded Case, Micro HDMI Cable, LCD Scre
The Canon also scores with a much better, telescopic lens (technically rated 5.8–17.4 mm, which is equivalent to 35–105mm)—better quality and telescopic to boot—that can take everything from infinity-distance landscapes to close-up macro shots of spiders and flies. But I have to upload my photos to a computer to get a sense of how good or bad they are because the Canon only has a tiny 6cm (2.5-inch) LCD screen. The LG is over twice as good on the diagonal screen dimension, with a 14cm (5.5 inch) “monitor.” Where Canon estimates that the Ixus screen has 230,000 pixels, the LG boasts quad HD (2560×1440 pixels), or roughly sixteen times more. I might not be able to take better photos with the LG, but at least I can instantly assess and appreciate them on a screen as good as an HD TV (albeit still pocket-sized).
Once things start to get darker is when the this model really shows its chops. When a camcorder works as hard as possible to grab every little bit of light, this can add a lot of digital noise, which ruins detail and color. Last year’s V750K minimized this the most from the camcorders we tested, and gave the sharpest and clearest video—and since the V770K has an identical sensor, you can expect the same results. Combine that with its excellent stabilization, and you’ll be able to record your third grader’s play handheld, even though lights in the auditorium leave a lot to be desired.
If the f-number is decreased by a factor of √2, the aperture diameter is increased by the same factor, and its area is increased by a factor of 2. The f-stops that might be found on a typical lens include 2.8, 4, 5.6, 8, 11, 16, 22, 32, where going up “one stop” (using lower f-stop numbers) doubles the amount of light reaching the film, and stopping down one stop halves the amount of light.
They’re actually pretty different beasts (barring the obvious fact that both record video). A video camera is larger than a GoPro; and has a lens that can zoom, where a GoPro has a fixed focal length. The GoPro’s lens is also very wide angle to get as much of a scene as possible, but that makes it pretty poor at interviews because you have to get it uncomfortably close to your subject. It’s totally doable, but kinda weird. A video camera will also have a longer battery life than a GoPro, and have more manual controls for tweaking how you record. It will also (probably) record better footage in low light.
In between entry-level and full-frame DSLR are a whole range of models aimed at different users, different levels of experience and different budgets. Here’s our pick of the standout DSLR cameras you can buy right now:
I love Panasonic products and this is rather frustrating. Video from the 770 plays nicely from the camcorder itself when plugged into a TV and on computer using Windows movie player. However the background white noise is very noticeable. The 770’s predecessor the 750 (which I sold) had very poor audio in all respects and most likely Panasonic somehow pumped up the cameras amplification. Bad Panasonic!!! Just fix the problem and stop trying to put a band-aid on it.
The V770K also includes a Wi-Fi interface, which allows it to connect to a cell phone or tablet as well as a standard Wi-Fi network. The free app for iOS and Android can remotely control the camera with a live preview. From here you can zoom in and out and stop/start recordings, but the more complex manual controls are not available. When connected to a Wi-Fi network, the V770K appears as a DLNA device, so any compatible computer (Windows or Mac) or device, like a Roku, can play back video from the memory card. Wi-Fi can’t be used to transfer the original recordings to a PC or Mac. It can, however, be used to livestream video to Ustream, a neat feature for things like family events that someone can’t get to.
Panasonic launched DVCPRO HD in 2000, expanding the DV codec to support high definition (HD). The format was intended for professional camcorders, and used full-size DVCPRO cassettes. In 2003 Sony, JVC, Canon and Sharp introduced HDV as the first affordable HD video format, due to its use of inexpensive MiniDV cassettes.
That’s the middle ground that we looked for here: video cameras that offer better quality and a wider range of features than smartphones but don’t require that you spend a fortune. Our research revealed that camcorders ranged from $300 up to about $900. Above that are the professional and serious user models that offer features like 4K shooting, but are more complicated than what most people need. Go much cheaper than $300, and you start to lose out on video quality—especially in low light.
Most manufacturers of digital cameras do not provide drivers and software to allow their cameras to work with Linux or other free software. Still, many cameras use the standard USB storage protocol, and are thus easily usable. Other cameras are supported by the gPhoto project.
Not sure I know what you mean by “mains power”; I know the V750K can record tons of video with a 64gb card, but I want to know if I can connect to AC power so it will be continuous, with no pause for changing batteries.
Digital technology emerged with the Sony D1, a device which recorded uncompressed data and required a large amount of bandwidth for its time. In 1992 Ampex introduced DCT, the first digital video format with data compression using the discrete cosine transform algorithm present in most commercial digital video formats. In 1995 Sony, JVC, Panasonic and other video-camera manufacturers launched DV, which became a de facto standard for home video production, independent filmmaking and citizen journalism. That year, Ikegami introduced Editcam (the first tapeless video recording system).
Similar in size to earlier ZS/TZ-series cameras, Panasonic however has managed to squeeze a much larger sensor into the ZS100 (TZ100 outside the US). This enables the pixels to be about 2.4x bigger than they are in models like the Lumix ZS70 / TZ90, and this helps the ZS100 produce much higher quality images. The zoom lens isn’t quite so extensive though, but you still get an electronic viewfinder that makes it easier to compose images in bright sunny conditions and in addition to 4K video recording, there’s Panasonic’s 4K Photo mode to help capture 8MP images of fleeting moments. It all adds up to be a powerful compact camera. Want even more zoom range? Panasonic’s just announced the Lumix ZS200 / TZ200 with a 15x optical zoom. Review coming very soon.
I’m looking for a good/high quality video camera that is easy to setup and run let it run the whole day capturing a course or workshop that I am teaching – usually no additional lighting except some daylight and mostly just standard hotel conference room lights.
The principal advantages of camera phones are cost and compactness; indeed for a user who carries a mobile phone anyway, the addition is negligible. Smartphones that are camera phones may run mobile applications to add capabilities such as geotagging and image stitching. Also, smartphones can use their touch screens to direct their camera to focus on a particular object in the field of view, giving even an inexperienced user a degree of focus control exceeded only by seasoned photographers using manual focus. However, the touch screen, being a general purpose control, lacks the agility of a separate camera’s dedicated buttons and dial(s).
Video cameras are used primarily in two modes. The first, characteristic of much early broadcasting, is live television, where the camera feeds real time images directly to a screen for immediate observation. A few cameras still serve live television production, but most live connections are for security, military/tactical, and industrial operations where surreptitious or remote viewing is required. In the second mode the images are recorded to a storage device for archiving or further processing; for many years, videotape was the primary format used for this purpose, but was gradually supplanted by optical disc, hard disk, and then flash memory. Recorded video is used in television production, and more often surveillance and monitoring tasks in which unattended recording of a situation is required for later analysis.
The collodion wet plate process that gradually replaced the daguerreotype during the 1850s required photographers to coat and sensitize thin glass or iron plates shortly before use and expose them in the camera while still wet. Early wet plate cameras were very simple and little different from Daguerreotype cameras, but more sophisticated designs eventually appeared. The Dubroni of 1864 allowed the sensitizing and developing of the plates to be carried out inside the camera itself rather than in a separate darkroom. Other cameras were fitted with multiple lenses for photographing several small portraits on a single larger plate, useful when making cartes de visite. It was during the wet plate era that the use of bellows for focusing became widespread, making the bulkier and less easily adjusted nested box design obsolete.
If you’ve outgrown your point-and-shoot camera or are no longer satisfied with the snaps you get from your smartphone, and feel like you’re ready to take your photography to the next level, then an entry-level DSLR is the most obvious choice.
DSLR (digital single-lens reflex) cameras largely replaced film-based SLRs during the 2000s. DSLRs are the most advanced and versatile cameras available to consumers today. They give you the most control over how your pictures are taken, and are thus meant for more serious amateur photographers and professionals. DSLRs allow you complete control over exposure settings, including aperture priority, shutter priority, and various program modes. Their fast autofocus produces great shots when shooting fast-moving subjects or scenes. They also utilize an interchangeable lens system, enabling photographers to use the most appropriate lens for whatever they are shooting. Finally, DSLRs have large sensors, which generally produce higher-quality images. Learn More About DSLRs.