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The choice between an optical or electronic viewfinder is another one to consider. Modern EVFs are really, really good, and refresh quickly enough so you can track moving action. If you haven’t used one in a few years, you’ll be surprised at how far they’ve come. But for some photographers there’s no substitute for an optical viewfinder, in which case an SLR will be preferred to mirrorless.
I’m going to upgrade my old ’07 Sony camcorder, and I think these Panasonics are the right choice. I’m just not sure which one to get: the 770 or the 850. Both are ” plus” – versions of the 750, and about the same price-category. Which one would you recommend?
Just wish the 770 had the audio issue fixed, hell my Gopro Silver has better audio than the 770 when imported into an editor. Nice well defined audio blips instead of the almost flat lined 770. However straight from the 770 camera played on a PC or TV via HDMI the audio is very good.
But here’s the thing—no camera that’s in this class is going to do a good job during a concert. It’s just not going to happen. The RX100 might do an okay job, but only if you’re incredibly close to the musicians. To do that sort of recording you want a high end videography rig, with a high speed lens. Lighting in concerts is notoriously difficult to deal with, so you’ll need to account for constantly shifting light patterns by manually locking in the vast majority of settings. If you’re just attending a concert, you’re not going to record anything great. If you’re working with the performers, then you’re better off with a much bigger and higher quality rig and either a tripod and zoom lens, or being up close and personal.
Jump up ^ Ariffin, Aswami; Choo, Kim-Kwang Raymond; Slay, Jill. Thomborson, C.; Parampalli, U., eds. “Digital Camcorder Forensics” (PDF). Conferences in Research and Practice in Information Technology. 138. Retrieved October 22, 2013.
In all but certain specialized cameras, the process of obtaining a usable exposure must involve the use, manually or automatically, of a few controls to ensure the photograph is clear, sharp and well illuminated. The controls usually include but are not limited to the following:
You may scratch your head when you see pocket cameras with fixed lenses selling for anywhere from $400 to $1,000. After all, you can get an interchangeable lens model for the same price. But these slim, premium shooters target a very specific market—photographers who already own a mirrorless camera or SLR and a bunch of lenses, but want something small as an alternative option.
Unfortunately, none of those met our criteria for inclusion in this review. But in that price range, we did like the Canon R600, and it offers “1080/60p recording in MP4 (35 Mbps) and AVCHD Progressive (28 Mbps)”
If you can track one down for cheaper, last year’s Panasonic HC-V750K is essentially identical to the V770K. Excluding some rather minor features you’re probably unlikely to rely on (a new HDR video mode, a switch from mini HDMI to micro HDMI), they’re pretty much the same camera. So if you can find last year’s model for a notably lower price somewhere, then it’s probably worth picking up.
Most manufacturers of digital cameras do not provide drivers and software to allow their cameras to work with Linux or other free software. Still, many cameras use the standard USB storage protocol, and are thus easily usable. Other cameras are supported by the gPhoto project.
I’m about to buy the V770, but I’m not sure what memory card I should get with it, specifically the amount of memory. I’ll be using it for recording two-week holidays, after which I’ll empty the memory again. It’s probably not right to compare it to my old ’07 camera because the file size will probably be much larger with today’s higher resolution, right? So what memory card would you recommend?
The front-facing microphones of the Canon capture decent sound, but there is little stereo separation to produce a more immersive feel. These things aside, the Vixia HF R500 produces clean, attractive video that looks and sounds miles better than what you would get from a smartphone.
2) Get a good camcorder like the Panasonic HC-V770 HD and then separate equipment for audio. This option can be way more expensive (which i wouldnt be able to do now) but gives me the possibility to have better equipment for a long time. On the other hand this would not be so portable or zero portable.
The ability to capture 5.1-channel sound definitely added to the realism of the video. Even when this was mixed down to 2-channel stereo sound (5.1-channel recording is not supported in MP4 recording mode) it had more presence than the other video cameras, with better stereo separation and audio cues to let you know where sounds were coming from. So at that third-grade play, you’ll be recording what’s being said on stage, rather than the murmuring of appreciative audiences around you.
Stick this camcorder in auto mode, and it will choose the best settings for capturing video well in many situations, including low-light shooting and fast-moving action. It’s also smaller and lighter than the Panasonic—a considerable plus for something that you will be carrying around all day.
The $600 Panasonic HC-V770K is the best video camera for those who want a bit more than what their smartphone or even DSLR has to offer. Also referred to as a camcorder, this video camera was proved best after 30 hours of research and testing, which included interviewing experts and shooting hours of video in a huge range of conditions. The HC-V770K captures video that has more detail, better color, and better sound than the footage from all the cameras we tested (or any camera up to twice its price). In our tests, it produced the sharpest footage in bright light, plus it had the best stabilization and the least noise in low light. It also features the best touchscreen controls of the bunch and, with a long 20x optical zoom, you can capture the action from across a huge space—try to do that with a smartphone.
Other cameras use wireless connections, via Bluetooth or IEEE 802.11 Wi-Fi, such as the Kodak EasyShare One. Wi-Fi integrated Memory cards (SDHC, SDXC) can transmit stored images, video and other files to computers or smartphones. Mobile operating systems such as Android allow automatic upload and backup or sharing of images over Wi-Fi to photo sharing and cloud services.
Need some help to decide between an action camera, video camera, or other — I enjoy recording video of my son’s hockey games, and then producing an after season highlight video for the parents. I have been using 2 action cameras at each end of the rink, but I would like to move to a better ‘follow-the-puck’ model, as well as get the front of the goal instead of the back all the time. However, I want to actually watch as the game is live (meaning, I don’t want to have to worry about the camera or look through the view finder all the time). Any recommendations from the experts out there? Thanks in advance
Here are our top 15 camera choices for YouTube based on a combination of price, quality, and popularity. Click one below to jump straight to that camera or scroll on to learn all about picking the right camera for you (and to discover new versions of the cameras in this list)!
I’m looking for a good/high quality video camera that is easy to setup and run let it run the whole day capturing a course or workshop that I am teaching – usually no additional lighting except some daylight and mostly just standard hotel conference room lights.
A multipurpose device used as a camcorder offers inferior handling, audio and video performance, which limits its utility for extended or adverse shooting situations. The camera phone developed video capability during the early 21st century, reducing sales of low-end camcorders.
Mirrorless cameras have gotten better and better in terms of tracking autofocus in recent years. Top-tier models track subjects and fire off images as quickly as comparable SLRs. Depending on which system you have your eye on, and what type of shooting you do, you may find that lens selection to be perfectly adequate.
“Hey,” you may say, “why do I need a video camera? I’ve got a cell phone that takes video!” That’s a fair point: for casual shooting a cell phone is fine. But cell phone video is all about limitations: A decent video camera does things that no cell phone or tablet can do.
In 1983, Sony released the first camcorder, the Betacam system, for professional use.[4] A key component was a single camera-recorder unit, eliminating a cable between the camera and recorder and increasing the camera operator’s freedom. The Betacam used the same cassette format (0.5 inches or 1.3 centimetres tape) as the Betamax, but with a different, incompatible recording format. It became standard equipment for broadcast news.[4]
Many people consider the Canon 70D to be the best DSLR for vloggers due to its long battery life (920 pictures before needing a recharge compared to DSLR average of 894 shots), rock-solid autofocus system, and user-friendly touchscreen. This camera supports full HD 1080p recording at speeds of 30, 24, and 25 fps and is a favorite of lifestyle, beauty, and travel vloggers who want fantastic image quality.
The high end of the consumer market emphasizes user control and advanced shooting modes. More-expensive consumer camcorders offer manual exposure control, HDMI output and external audio input, progressive-scan frame rates (24fps, 25fps, 30fps) and higher-quality lenses than basic models. To maximize low-light capability, color reproduction and frame resolution, multi-CCD/CMOS camcorders mimic the 3-element imager design of professional equipment. Field tests have shown that most consumer camcorders (regardless of price) produce noisy video in low light.
Aspiring adventure and travel photographers will love the X-T10’s array of features and tiny size. Released in 2015, this 16.3 megapixel mirrorless camera has a burst rate of 8 FPS and records video at 1080p. Like the Sony a58, this camera has a tilting screen, not a fully articulating one, which makes it a less than ideal option for those who want to do video — but if you are looking for a small camera that excels at photography, the X-T10 is an excellent choice.
One last question and I am sorry if it is silly to be asked but because I’ve been goggling since your last reply and found many models and my current budget is 1000 usd, so does there are a lot of differences between the Canon T5i and Canon 70 D!? or it does not deserve the price differences for my purpose?
In 2013-2014 Sony and other manufacturers announced add-on camera modules for smartphones called lens-style cameras. They have larger sensors and lenses than those in a camera phone but lack a viewfinder, display and most controls. They can be mounted to an Android or iOS phone or tablet and use its display and controls. Lens-style cameras include:
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Many camera phones and most stand alone digital cameras store image data in flash memory cards or other removable media. Most stand-alone cameras use SD format, while a few use CompactFlash or other types. In January 2012, a faster XQD card format was announced.[52] In early 2014, some high end cameras have two hot-swapable memory slots. Photographers can swap one of the memory card with camera-on. Each memory slot can accept either Compact Flash or SD Card. All new Sony cameras also have two memory slots, one for its Memory Stick and one for SD Card, but not hot-swapable.
Early cameras used the PC serial port. USB is now the most widely used method (most cameras are viewable as USB mass storage), though some have a FireWire port. Some cameras use USB PTP mode for connection instead of USB MSC; some offer both modes.
In response to the convenience and flexibility of smartphone cameras, some manufacturers produced “smart” digital cameras that combine features of traditional cameras with those of a smartphone. In 2012, Nikon and Samsung released the Coolpix S800c and Galaxy Camera, the first two digital cameras to run the Android operating system. Since this software platform is used in many smartphones, they can integrate with services (such as e-mail attachments, social networks and photo sharing sites) as smartphones do, and use other Android-compatible software as well.[40]
Thanks again, the 30 min. is the problem with a compact camera and I can’t take pics while filming. The only compact camera that does that is the Olympus MR25. Or, do you know about any compact camera that can film and shoot pics in high resolution with flash? (sorry for my bad English)
To the best of my knowledge, if you’re going to switch to a video camera to better follow the action, you’re going to need someone manning the thing and tracking the puck as it moves—which means you’re less able to watch the game unfold as a spectator. There might be a way if you record the entire game from a wide-angle to just zoom/crop down on the puck and follow it that way, but that’ll lead to a certain amount of quality degradation since you’re essentially blowing up a low res section of the video.
The very large sensor these backs use leads to enormous image sizes. For example, Phase One’s P45 39 MP image back creates a single TIFF image of size up to 224.6 MB, and even greater pixel counts are available. Medium format digitals such as this are geared more towards studio and portrait photography than their smaller DSLR counterparts; the ISO speed in particular tends to have a maximum of 400, versus 6400 for some DSLR cameras. (Canon EOS-1D Mark IV and Nikon D3S have ISO 12800 plus Hi-3 ISO 102400 with the Canon EOS-1Dx’s ISO of 204800)
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The USC Rossier School of Education goes further, insisting that all students purchase their own camcorder (or similar) as a prerequisite to their MAT education programs (many of which are delivered online). These programs employ a modified version of Adobe Connect to deliver the courses. Recordings of MAT student work are posted on USC’s web portal for evaluation by faculty as if they were present in class. Camcorders have allowed USC to decentralize its teacher preparation from Southern California to most American states and abroad; this has increased the number of teachers it can train.
Sensor size: Micro Four Thirds | Resolution: 16.1MP | Lens mount: Micro Four Thirds | Screen: 3.0-inch tilt-angle display, 1,037,000 dots | Continuous shooting speed: 8.6fps | Movies: 4K | User level: Beginner/intermediate
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