Action cams are designed and marketed as cameras that can be strapped to your chest when you go skydiving, taken underwater, or suction-cupped to the front of your surfboard. But that’s not all they’re good for. Action cameras are small in size but pack a huge punch when it comes to features, video quality, and durability. If you are the type of vlogger who wants to take video of yourself swimming in a waterfall—and then talk about it on your vlog afterward—an action cam may be perfect for you.
In 2011 Panasonic released a camcorder capable of shooting in 3D, the HDC-SDT750. It is a 2D camcorder which can shoot in HD; 3D is achieved by a detachable conversion lens. Sony released a 3D camcorder, the HDR-TD10. The Sony’s 3D lens is built in, but it can shoot 2D video. Panasonic has also released 2D camcorders with an optional 3D conversion lens. The HDC-SD90, HDC-SD900, HDC-TM900 and HDC-HS900 are sold as “3D-ready”: 2D camcorders, with optional 3D capability at a later date.
The EOS Rebel T6i (Called the EOS 750D outside the US) may have just been by the EOS Rebel T7i / 800D last year, but is still a great option if the price of the newer model puts you off. While the sensor isn’t quite as good as the one in the newer T7i despite sharing the same resolution, it’s still very good, while the vari-angle touchscreen is still one of the best around. AF performance could be better though, but overall this is still a very capable entry-level DSLR.
Mirrorless cameras have become quite popular in recent years for casual hobbyists, advanced amateurs and others serious about photography who don’t require a professional digital camera. These cameras have many features in common with DSLR cameras, but are smaller, lighter, less bulky, and without the mirror. They can also be used with separate mirrorless lenses. Point and shoot cameras are all about ease of use. They’re more compact than the other two types, they’re lighter and easier to carry, and they’re more affordable. They have permanently attached lenses, so they don’t allow manual control of key settings like shutter speed, aperture and ISO.
A digital camera is a hardware device that takes pictures like a regular camera, but stores the image as data instead of printing it to film. Many digital cameras are capable of recording video in addition to taking photos. The picture is of a Casio QV-R62 with 6.0 Megapixel resolution, an example of a typical digital camera.
Type: High-end compact | Sensor: APS-C CMOS | Resolution: 24.3MP | Lens: 23mm f/2 | Screen type: 3-inch, 1,040,000 dots | Viewfinder: Hybrid | Maximum continuous shooting speed: 8fps | Movies: 1080p | User level: Expert
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Hrm…Sony’s Handycam is my reference model for this class of camcorder products, and while I thought it was definitely quite good for what it does, I am glad there are much better alternatives out there – because frankly, the touchscreen interface on the Handycam sucked, and the amount of options you got was laughable. Night shots definitely weren’t great, and maybe the image stabilization algorithms have come a ways since like 2-3 years ago across the board, but that wasn’t great either.
Some smartphones can provide an augmented reality overlay for 2D objects and to recognize multiple objects on the phone using a stripped down object recognition algorithm as well as using GPS and compass. A few can translate text from a foreign language.  Auto-geotagging can show where a picture is taken, promoting interactions and allowing a photo to be mapped with others for comparison.
Overlooked factor is the angle camera shoots. You need that for selfies but makes forward shooting much more pleasant too. Here the Canon does poorly and I am thinking about switching from Canon to Panasonic because of that.
The $600 Panasonic V770K is a complex camcorder and offers features that many users may not want or need. For those who want to be able to capture decent video without fuss (and for substantially less cash), they should look to the $300 Canon Vixia HF R600 or its predecessor the R500. It’s not quite on the same level as the Panasonic in any of sharpness, color, image stabilization, or low-light performance, but it’s simple to use, with a touchscreen interface that doesn’t overwhelm the user, as well as an impressive 32x optical zoom.
Mobile phones incorporating digital cameras were introduced in Japan in 2001 by J-Phone. In 2003 camera phones outsold stand-alone digital cameras, and in 2006 they outsold film and digital stand-alone cameras. Five billion camera phones were sold in five years, and by 2007 more than half of the installed base of all mobile phones were camera phones. Sales of separate cameras peaked in 2008.
So the next time a friend asks me which is the best digital camera for his or her trip, concert, Instagram, or food blog, I’ll simply send along a link to this article. Note that while it’s easy to pay more than a thousand bucks for a digital camera (in fact, it’s easy to pay two or three grand or more), for our purposes, we’re trying to keep this in the affordable-digital-camera range, so I’ve set $1,000 as the ceiling. If you’re looking for a camera that costs much more than that, you should probably talk to one of your professional-photographer colleagues.
Please, can you recommend what I should be looking for re: sound (shotgun / boom / lavalier / wireless / or?) and also the BEST presets (auto / manual) for the Canon Vixia? I am also trying to figure out where’s best to store media for recording and editing purposes as I have several options with the camera having wi-fi. I am also thinking I need Adobe Elements or Pro (just hate the idea of a monthly fee) but would appreciate your input(s)
But here’s the thing—no camera that’s in this class is going to do a good job during a concert. It’s just not going to happen. The RX100 might do an okay job, but only if you’re incredibly close to the musicians. To do that sort of recording you want a high end videography rig, with a high speed lens. Lighting in concerts is notoriously difficult to deal with, so you’ll need to account for constantly shifting light patterns by manually locking in the vast majority of settings. If you’re just attending a concert, you’re not going to record anything great. If you’re working with the performers, then you’re better off with a much bigger and higher quality rig and either a tripod and zoom lens, or being up close and personal.
While digital cameras and camcorders are two entirely different consumer devices, the line separating the two has started to get blurry. Whereas once you would buy a camcorder for video and a camera for pictures, now you can buy cameras that shoot video and camcorders that can also take pictures. Despite their growing similarities, there are a few things that separate digital cameras from camcorders.
One of the most important features to me is battery life. That’s why I usually buy http://amzn.com/B004HO5974 since it has an ~ 3 hour battery life. But, I’m not a fan of the lense. Can you give me a feeling about battery life for the Panasonic 720 and any extended life battery options?
Making videos for YouTube has become a bonafide career path in the form of full-time vlogging. Short for “video blogs”, vlogs have become extremely popular. But the biggest question people have when they are just getting started is “what should I use to shoot my YouTube video?” Below are some of the best cameras for YouTube based on a combination of price, quality, and popularity.
Both the Panasonic and the Canon did well in this test, making the most of the available light in full auto mode without boosting the signal too much, with the Panasonic producing the cleanest footage overall. If a video camera amplifies the signal too much, the video becomes noisy and grainy. The Sony didn’t fare so well, producing video that was bright, but distinctly noisy, with a visible and off-putting grain in the footage. Enabling the low-light setting made the video brighter, but also made the noise much more visible.
Those Sonys you listed Vin p may weight less (and I’m sure they do just looking at them; smaller size) and other specs you listed but they don’t beat the Nikon 3300 in price. Just checked B & H Photo and the Nikon is listed at $369 and the Sony a6000 is listed at $548 and the a6300 is over $1000. A bit pricey IMO for someone just starting out. I have both a Nikon and a Sony mirrorless I know so either company makes a quality product.
I’m looking for a camcorder that weighs no more than 250 grams, films in 1080 HD, has image stabilization, can take pictures while filming and flashes if I make a picture while filming in low light. The Panasonic W850, V750 and X920 can do this all but they are too big for me.
hi l have a panasonic HDC-SD80 at moment which ive loved but is now playing up. I mainly record my sons. one plays football while the other surfs, therefore l require something that is good with fast movements and long zoom at least 40 plus. I find that while the one l have did the job it failed to recognize my sons facial expressions while riding surf or playing footy which l would love to have with this new one, can you suggest which one would suit my needs best thanks, regards Julie
Many incorporate a retractable lens assembly that provides optical zoom. In most models, an auto actuating lens cover protects the lens from elements. Most ruggedized or water-resistant models do not retract, and most with superzoom capability do not retract fully.
The lens of a camera captures the light from the subject and brings it to a focus on the sensor. The design and manufacture of the lens is critical to the quality of the photograph being taken. The technological revolution in camera design in the 19th century revolutionized optical glass manufacture and lens design with great benefits for modern lens manufacture in a wide range of optical instruments from reading glasses to microscopes. Pioneers included Zeiss and Leitz.
I think that the Canon camera will be more than adequate for your needs. If the built in audio isn’t quite good enough, you can buy an external microphone and connect it to the Canon through the external mic jack. If you are simply talking to your audience, a $25 lav microphone should be good enough.
Since I was one of the whiners about how outdated the old review was, I’m happy to get to be the first to say thank-you for this review. I’ve been struggling to decide what to do to video my son’s soccer and football games (trying to get offers from college now seems to entail a lot of sending highlight videos to target schools). That means low light, long zooms, but NOT long duration. Was looking at your super zoom point and shoot suggestion as well as buying a used, older prosumer 3CCD, 12X zoom MiniDV (which should have great focus and light sensitivity, but significantly lower resolution as HD 3CCDs are still pretty spendy). The low price of the Canon seems to make it a no-brainer.
But that doesn’t mean you shouldn’t upgrade — there are a lot of reasons to move into the DSLR territory. Maybe you’ve found that you enjoy taking pictures on your smartphone and want better quality. Perhaps your point-and-shoot just isn’t cutting it anymore. Maybe you’re going on a vacation and are searching for the best camera for travel or the best mirrorless camera.
Type: DSLR | Sensor size: Full-frame CMOS | Resolution: 45.4MP | Lens: Nikon F mount | Viewfinder: Optical | Screen type: 3.2-inch tilting touchscreen, 2,359,000 dots | Maximum continuous shooting speed: 7fps | Movies: 4K | User level: Intermediate/expert
In all of the tests, it was the Panasonic that did the best across the board. It produced the sharpest footage in bright light—capturing small details such as grass and tree bark that add realism to a video; it had the best stabilization; and it generated the least noise in low light. It also did the best job capturing motion, producing smooth, clean video that still contained a good level of detail.
Video cameras were invented early in the 20th century for television use, and by the end of the century, people could buy digital video cameras, which can almost immediately display the image. Video recorders that could record the image on magnetic tape were created in the middle 20th century.
Once you’ve felt the liberating power, speed and performance of a Nikon DSLR, you’ll see why they’re the preferred tool of pro and aspiring photographers everywhere. See your photos and videos come to life with stunning clarity and rich detail through masterly-crafted Nikon DSLR cameras and world-renowned Nikkor lenses.
An advanced compact for wide-angle and manual-photography fans, the Fujifilm X100F improves upon an already great camera with better autofocus performance and a fine-tuned design on top of its already excellent photo quality.
Despite its comparatively placid nature, golf is honestly pretty hard to record, for just the reason you’ve mentioned here: catching the ball coming down. You’re trying to track a very small, very fast moving object at a long distance as it moves across a featureless space. While the zoom on any of these cameras will probably do you just fine, the harder part will actually be focusing and tracking on the moving ball. Because the ball is so small, the camcorder will probably have trouble spotting it and focusing on it, especially as it moves either closer or farther away from you—and you’ll also have to try and hold the camera steady while still following the ball at maximum zoom.
This isn’t something we directly looked at, so I can’t speak to with full certainty. I believe that you can monitor the output over HDMI while recording to SD card, but it won’t be a clean video feed out, it’ll probably show a duplicate of what’s on the touch screen of the Panasonic.
The earliest camcorders were tape-based, recording analog signals onto videotape cassettes. In 2006, digital recording became the norm, with tape replaced by storage media such as mini-HD, microDVD, internal flash memory and SD cards.
To pick our contenders, we first looked for existing reviews. However, we found a scarcity of good information out there; many sites have stopped reviewing video cameras. CNET, for instance, hasn’t reviewed a non-action video camera for over a year (even the JVC Everio GZ-R10 lacks optical stabilization and recording quality) and hasn’t updated their video camera buying guide since 2012. There are still some sites out there that are reviewing these devices, though, such as Reviewed.com, Consumer Reports, and Top Ten Reviews. From this list, we eliminated action cameras (covered separately by Brent Rose here) and products that cost more than about $900. If you are spending that much on a video camera, you are a serious video maker and need a different class of video camera.
Camcorders, which combine a camera and a VCR or other recording device in one unit; these are mobile, and are widely used for television production, home movies, electronic news gathering (ENG) (including citizen journalism), and similar applications. Some digital ones are
There are usually a couple of ways you can do it! Most cameras let you plug them directly into your computer using the USB port on both the camera and the computer. Otherwise, you simply remove the SD card, and put it into a card reader (either an external one, or the one built into the side of many MacBooks).
Most people within my circle of friends know me as the guy who knows more about cameras than they do, so I’m often asked for advice about which digital camera to buy. I don’t mind being asked for my two cents on digital cameras, but at this point I’ve decided it’d be easier to write one article one time than answer multiple questions about cameras time and time again.
In the industrial and high-end professional photography market, some camera systems use modular (removable) image sensors. For example, some medium format SLR cameras, such as the Mamiya 645D series, allow installation of either a digital camera back or a traditional photographic film back.
But lens options aren’t as vast as they are with the Canon and Nikon SLR systems. You have a much larger selection with a Canon or Nikon, including many excellent third-party options from Sigma and Tamron. SLR lens options like the Sigma 150-600mm F5-6.3 DG OS HSM Contemporary aren’t matched by mirrorless in terms of value, and you also have access to exotic glass like the AF-S Nikkor 800mm f/5.6E FL ED VR ($16,299.95), the likes of which simply isn’t available in a mirrorless format at this time.
Many camera phones and most stand alone digital cameras store image data in flash memory cards or other removable media. Most stand-alone cameras use SD format, while a few use CompactFlash or other types. In January 2012, a faster XQD card format was announced. In early 2014, some high end cameras have two hot-swapable memory slots. Photographers can swap one of the memory card with camera-on. Each memory slot can accept either Compact Flash or SD Card. All new Sony cameras also have two memory slots, one for its Memory Stick and one for SD Card, but not hot-swapable.
Professional video cameras, such as those used in television production and sometimes filmmaking in digital cinema; these may be studio-based or mobile in the case of an electronic field production (EFP). Such cameras generally offer extremely fine-grained manual control for the camera operator, often to the exclusion of automated operation.
1) Opt.Zoom 20x. This is optical zoom, where the others are digital zooms. They “increase” the zoom by essentially blowing up the the image, so it looks bigger. It leads to a dramatic drop in video quality, so keep it on optical (Opt.) mode.
In near total darkness, the Panasonic automatically turns on a small LED light next to the lens. It is pretty weak and produces rather unflattering video that looks like a horror movie gone wrong, so it is best not used unless you have no other choice. At least you can disable it through the on-screen menu. The Panasonic is also the only model to offer a mount for attaching a separate light source—but this doesn’t power the light, which will need its own battery or plug.
Digital cameras utilize either proprietary or standard consumer batteries. As of March 2014, most cameras use proprietary lithium-ion batteries while some use standard AA batteries or primarily use a proprietary Lithium-ion rechargeable battery pack but have an optional AA battery holder available.
The Panasonic also has a cute (but rather gimmicky) slow motion mode. Press the SLOW button on the touch screen, and the video is captured at 120 frames per second, which is then doubled up to look like 240 fps. When you play it back, this gives the effect of slowing time to one quarter of normal speed at the same resolution as the standard speed video without sound. It’s a neat trick, but you can’t tweak the speed of the video, and the captured video is rather soft, thanks to the camera’s trick of doubling the frame rate by making up frames in between the captured ones.
Unfortunately, I don’t know enough about the X920 to comment off hand, but Reviewed.com has Reviewed both it at the Panasonic W850, which I believe has the same sensor as the V750/770, but with a few more bells and whistles (I might be wrong on that, these things get very confusing). So you can check out a bit of a comparison between the two by looking at the two reviews.
At CES 2013, Sakar International announced the Polaroid iM1836, an 18 MP camera with 1″-sensor with interchangeable sensor-lens. An adapter for Micro Four Thirds, Nikon and K-mount lenses was planned to ship with the camera.
A video camera represents the best of many worlds when it comes to recording video. It’ll give you video quality and a zoom that a smartphone can’t match. It is easier to use and able to record longer footage than other camera types, and it has better built-in sound than a DSLR (more on this later). If you’re planning on shooting a whole day of video, a video camera is designed to be comfortable to hold for extended bouts of filming.
Stand alone cameras can be used as remote camera. One kind weighs 2.31 ounces (65.5 g), with a periscope shape, IPx7 water-resistance and dust-resistance rating and can be enhanced to IPx8 by using a cap. They have no viewfinder or LCD. Lens is a 146 degree wide angle or standard lens, with fixed focus. It can have a microphone and speaker, And it can take photos and video. As a remote camera, a phone app using Android or iOS is needed to send live video, change settings, take photos, or use time lapse.
It’s no secret that smartphones have seriously hurt the demand for entry-level point-and-shoot cameras. You can buy any number of sub-$100 no-name cameras at online retailers, but none are worth your money if already own a decent smartphone. But if you move up to the $100 to $200 bracket, you have some solid options from Canon and Nikon.
If you want a great digital camera that more than meets the needs of the amateur-but-dedicated photographer, then the Sony Alpha A6000 Mirrorless Digital Camera is the way to go. This device works great in the bright light of day or the lower light of evening or interiors, it has a high-quality 24-megapixel sensor, a lens with zoom range between 16 and 50 millimeters, and superfast autofocus abilities, so you don’t miss the moment. You can also use your smartphone as a remote control, allowing for the ultimate selfies, no selfie stick required. And now for your quick Photography 101 lesson: This camera is called “mirrorless” because when you use the viewfinder, you are seeing a digital re-creation of what the sensor is seeing through the lens (a.k.a. the image to be captured) rather than the exact same view as the lens; that would require an internal reflex mirror that bounces the image up to your eyeball. Does this mean much to anyone who is not in fact a professional photographer? Not really, but maybe you were wondering.
You have some options but none of them perfect. There is the RX10 IV (https://www.borrowlenses.com/product/Sony-Cyber-shot-RX10-IV?INTPR=BLOG-BL-FIELD-2016-VLOGGING) but it’s a “bridge” camera and a little big compared to the RX100 IV or V. The screen also just tilts – it doesn’t articulate. The Panasonic Lumix DMC-FZ2500 is also a bigger bridge but has the fully articulating screen. Both have mic inputs. DPReview has a nice “Camera Feature Search” where you can choose your form factor, features, and price point and see what’s available on the market (sorry for the long and ugly URL): https://www.dpreview.com/products/search/cameras#criterias=SpecsCoreParams%2CSpecsMicrophonePort¶mSpecsCoreParamsBodyType=UltraCompact%2CCompact%2CLargeSensorCompact%2CSLRLikeCompact¶mSpecsMicrophonePort=Yes
Hi, great info. Going on Safari in June. I have a 10 yr old Canon HD camcorder, was great when it came out – one of the first HD camcorders. its ok, but thinking of replacing, its just a pain in the …, only uses FireWire, awkward to hold, etc… Will have a Canon 70D DSLR on the trip as well…would one of these camcorders shoot better video than this DSLR? Wondering based on an answer you had below noting the sensor size, and the 70D is a full frame sensor…Thanks!
Meanwhile, it looks like the Panasonic V750 has spiked in price, marking it as more expensive than the V770, which is an all but identical newer model. In which case, I’d say go with the cheaper of the two.