camera hub | camera 2017

The V770 and V750 are essentially identical, and we’re in the midst of updating the piece to reflect that. So go for whichever one is cheaper. And unfortunately, I wouldn’t expect anything impressive and new around this price point within the next three months.
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If you’re willing to live without a viewfinder of any sort and use the LCD to frame shots, you can find solid mirrorless models for under $500, including a kit lens. Like SLRs, different manufacturers support different lens formats. If you buy a Sony mirrorless camera, you’ll stick with Sony E and FE lenses, and if you opt for Fujifilm you’re locked into the X lens system.
More recent devices capable of recording video are camera phones and digital cameras primarily intended for still pictures; the term “camcorder” may be used to describe a portable, self-contained device, with video capture and recording its primary function, often having advanced functions over more common cameras.
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Most camera phones are simpler than separate digital cameras. Their usual fixed-focus lenses and smaller sensors limit their performance in poor lighting. Lacking a physical shutter, some have a long shutter lag. Photoflash is typically provided by an LED source which illuminates less intensely over a much longer exposure time than a bright and near-instantaneous flash strobe. Optical zoom[2] and tripod screws are rare and none has a hot shoe for attaching an external flash. Some also lack a USB connection or a removable memory card. Most have Bluetooth and WiFi, and can make geotagged photographs. Some of the more expensive camera phones have only a few of these technical disadvantages, but with bigger image sensors (a few are up to 1″), their capabilities approach those of low-end point-and-shoot cameras. In the smartphone era, the steady sales increase of camera phones caused point-and-shoot camera sales to peak about 2010 and decline thereafter. Most model lines improve their cameras every year or two.
The models we looked at can use memory cards of 32 or 64 GB in size, enough to hold hours of video. Unless you’re packing 128 GB or so, your cell phone or tablet probably won’t have that much available space after accounting for music, apps, movies, and everything else.
If you want a great digital camera that more than meets the needs of the amateur-but-dedicated photographer, then the Sony Alpha A6000 Mirrorless Digital Camera is the way to go. This device works great in the bright light of day or the lower light of evening or interiors, it has a high-quality 24-megapixel sensor, a lens with zoom range between 16 and 50 millimeters, and superfast autofocus abilities, so you don’t miss the moment. You can also use your smartphone as a remote control, allowing for the ultimate selfies, no selfie stick required. And now for your quick Photography 101 lesson: This camera is called “mirrorless” because when you use the viewfinder, you are seeing a digital re-creation of what the sensor is seeing through the lens (a.k.a. the image to be captured) rather than the exact same view as the lens; that would require an internal reflex mirror that bounces the image up to your eyeball. Does this mean much to anyone who is not in fact a professional photographer? Not really, but maybe you were wondering.
Sensor: APS-C CMOS | Megapixels: 24.2MP | Lens mount: Canon EF-S | Screen: 3-inch vari-angle touchscreen, 1,040,000 dots | Continuous shooting speed: 5fps | Max video resolution: 1080p | User level: Beginner
In 2010, in Ireland the annual “RTÉ 60 second short award” was won by 15-year-old Laura Gaynor, who made her winning cartoon,”Piece of Cake” on her Sony Ericsson C510 camera phone.[34][35][36] In 2012, Director/writer Eddie Brown Jr,[37] made the reality thriller Camera Phone[38] which is one of the first commercial produced movies using camera phones as the story’s prospective. The film is a reenactment of an actual case and they changed the names to protect those involved. Some modern camera phones (in 2013-2014) have big sensors, thus allowing a street photographer or any other kind of photographer to take photos of similar quality to a semi-pro camera.
They’re more than adequate to get started, but the key advantage of DSLRs over compact cameras is that you can add to your kit with additional lenses. For example, wide-angle and telephoto zoom lenses, a flashgun, and other accessories, to make the most of whatever types of photography you’re into.
Room to grow. We’re going to let you in on a little secret: while camera bodies are important, it’s the lenses that really make the biggest difference when it comes to image quality. What this means for you is that you can buy a DSLR with a kit lens, then down the road, upgrade to fancier lenses if you decide that photography is something you want to stick with. In other words, a DSLR will leave you with lots of room to grow.
dkerov, the V550 has a different image sensor than the V750, so I can’t draw any direct comparisons there. We did consider the V550, but we decided to test the V750 alongside the other two as it is generally a better camcorder (better manual controls, etc).
The death of photography: are camera phones destroying an artform? by Stuart Jeffries. The Guardian, 13 December 2013. Is the sheer quantity of photos we’re now taking spoiling their quality—and the quality of the moments we’re recording?
Jump up ^ British Standards Institution (1963). Photographic lenses: Definitions, methods and accuraccy of marking (British Standard 1019) (2nd ed.). British Standards Institution. Retrieved 19 March 2016.
The 2004 Indian Ocean earthquake was the first global news event where the majority of the first day news footage was no longer provided by professional news crews, but rather by citizen journalists, using primarily camera phones.
Digital and movie cameras share an optical system, typically using a lens with a variable diaphragm to focus light onto an image pickup device.[3] The diaphragm and shutter admit the correct amount of light to the imager, just as with film but the image pickup device is electronic rather than chemical. However, unlike film cameras, digital cameras can display images on a screen immediately after being recorded, and store and delete images from memory. Many digital cameras can also record moving videos with sound. Some digital cameras can crop and stitch pictures and perform other elementary image editing.
With the advent of digital video capture, the distinction between professional video cameras and movie cameras has disappeared as the intermittent mechanism has become the same. Nowadays, mid-range cameras exclusively used for television and other work (except movies) are termed professional video cameras.
Cameras on cell phones proved popular right from the start, as indicated by the J-Phone in Japan having had more than half of its subscribers using cell phone cameras in two years. The world soon followed. In 2003, more camera phones were sold worldwide than stand-alone digital cameras largely due to growth in Japan and Korea.[22] In 2005, Nokia became the world’s most sold digital camera brand. In 2006, half of the world’s mobile phones had a built-in camera.[citation needed] In 2006, Thuraya released the first satellite phone with an integrated camera. The Thuraya SG-2520 was manufactured by Korean company APSI and ran Windows CE. In 2008, Nokia sold more camera phones than Kodak sold film-based simple cameras, thus becoming the biggest manufacturer of any kind of camera.[citation needed] In 2010, the worldwide number of camera phones totaled more than a billion.[23] Since 2010, most mobile phones, even cheapest ones, are being sold with a camera. High-end camera phones usually had a relatively good lens and high resolution.
All I can really suggest is doing some home testing yourself. Shoot the same scene three ways: iPhone 6, video camera at 1080, video camera at 720, and see if you notice a difference in the video output. Then think about how you’re going to be watching it. How close are you holding your iPad? Your laptop? How far are you from your TV?
Type: Mirrorless | Sensor size: APS-C CMOS | Resolution: 24.3MP | Lens: Fujifilm X mount | Viewfinder: EVF | Screen type: 3.0-inch tilting screen, 1,040,000 dots | Maximum continuous shooting speed: 8fps | Movies: 4K | User level: Intermediate/expert
But lens options aren’t as vast as they are with the Canon and Nikon SLR systems. You have a much larger selection with a Canon or Nikon, including many excellent third-party options from Sigma and Tamron. SLR lens options like the Sigma 150-600mm F5-6.3 DG OS HSM Contemporary aren’t matched by mirrorless in terms of value, and you also have access to exotic glass like the AF-S Nikkor 800mm f/5.6E FL ED VR ($16,299.95), the likes of which simply isn’t available in a mirrorless format at this time.
White balance On digital cameras, electronic compensation for the color temperature associated with a given set of lighting conditions, ensuring that white light is registered as such on the imaging chip and therefore that the colors in the frame will appear natural. On mechanical, film-based cameras, this function is served by the operator’s choice of film stock or with color correction filters. In addition to using white balance to register natural coloration of the image, photographers may employ white balance to aesthetic end, for example, white balancing to a blue object in order to obtain a warm color temperature.
In all but certain specialized cameras, the process of obtaining a usable exposure must involve the use, manually or automatically, of a few controls to ensure the photograph is clear, sharp and well illuminated. The controls usually include but are not limited to the following:
Professional level cameras may have a higher price tag but they also come with more features and capabilities than entry-level DSLRs. A professional grade camera will typically (with some exceptions) have a full frame sensor, better low-light capabilities, higher burst rates and megapixel counts, and better autofocus — all of which are good things for photographers.
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I think that is a very suitable option. The only drawback is that it doesn’t have a port for an external microphone. It does have a built-in stereo mic, though. So you’ll need to be mindful when recording that your environment is very quiet, because in-camera mics try to pick up everything. But it’s otherwise a great camera for your purposes. When picking out a lens, you will need to think about how close you want the lens to be to your face (or a model’s face). You’ll want a lens with a relatively close minimum focusing distance, especially if you’re working in a small space already. Good luck! Hope it goes well.
Digital SLRs have may advantages compared to their film counter-parts. You get the digital workflow with instead previews and low usage costs. Taking thousands of images is easy with a digital. On the other hand, each roll of film costs money takes space and most be properly kept until developed (and after too).
As camera phone technology has progressed over the years, the lens design has evolved from a simple double Gauss or Cooke triplet to many molded plastic aspheric lens elements made with varying dispersion and refractive indexes. The latest generation of phone cameras also apply distortion (optics), vignetting, and various optical aberration corrections to the image before it is compressed into a .jpeg format.’
The collodion wet plate process that gradually replaced the daguerreotype during the 1850s required photographers to coat and sensitize thin glass or iron plates shortly before use and expose them in the camera while still wet. Early wet plate cameras were very simple and little different from Daguerreotype cameras, but more sophisticated designs eventually appeared. The Dubroni of 1864 allowed the sensitizing and developing of the plates to be carried out inside the camera itself rather than in a separate darkroom. Other cameras were fitted with multiple lenses for photographing several small portraits on a single larger plate, useful when making cartes de visite. It was during the wet plate era that the use of bellows for focusing became widespread, making the bulkier and less easily adjusted nested box design obsolete.
Sensor: APS-C CMOS | Megapixels: 20.9MP | Autofocus: 51-point AF, 15 cross-type | Screen type: 3.2-inch tilt-angle touchscreen, 922,000 dots | Maximum continuous shooting speed: 8fps | Movies: 4K | User level: Intermediate
All of these video cameras fit well and are comfortable in the hand, and your fingers fall naturally on to the control buttons and adjustable hand straps for different sized hands. The Panasonic adds a number of extra options, with a dial just behind the screen that you can use to access its manual settings, which some other camcorders lack.This definitely makes it easier to use for more serious shooters who want to get in and control the video capture process themselves.
An instant-print camera, is a digital camera with a built-in printer.[49] This confers a similar functionality as an instant camera which uses instant film to quickly generate a physical photograph. Such non-digital cameras were popularized by Polaroid in 1972.[50]
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While the main specification of the OM-D E-M10 Mark III doesn’t offer a huge upgrade from the Mark II, Olympus has refined and tweaked one of our favorite mirrorless cameras to make it an even more tempting proposition for new users and enthusiasts alike. Some will criticise the smaller Micro Four Thirds sensor format (roughly half the area of APS-C) but the effect on image quality is minor and it means that the lenses are as compact and lightweight as the camera itself. Sporting a 5-axis image stabilization system, decent electronic viewfinder, an impressive 8.6fps burst shooting speed and 4K video, it’s no toy – the E-M10 Mark III is a properly powerful camera.
It turns out my Canon has a CMOS sensor (HD pro) which was fitted to the higher end G models in the range, which is why its such a brilliant performer. Canon have since replaced it with the HF R506 this year, which they have fitted with a Worse, smaller CMOS sensor – presumably to distance it from their higher end G range and not make the same mistake.
Meets are always indoor, with artificial light (90% of the time in gyms), videos are short, from 10-15 seconds for vault, to 90 seconds (floor). Target is in movement, but not crazy fast. Sound is important but since they don’t sing while performing is not crucial (maybe some occasional groaning). Budget… if under $500 better, but if another $100 will make a difference will make the effort.
That’s not great, but most of the camcorders in this price range have similar battery life. I asked CamcorderInfo.com’s Jeremy Stamas about the low-life battery trend in my email interviews for this piece, and here’s what he had to say:
If they care enough to buy a separate HD video camera it’s likely consumers automatically assume they can load their content onto their computers and edit it. Not mentioning file formats in the review is akin to recommending a digital camera where the photos are stored in a format that couldn’t be edited in Photoshop or any other application and couldn’t be printed out.
Camcorders are designed to give you everything you need to take amazing videos. This makes them lightweight, extremely portable, and perfect for people who want to focus strictly on videography and not photography.
If there is a camera that can give Canon’s T6i a run for its money for beginning photographers it is the Nikon D3300. This camera is a well-priced powerhouse, boasting 24 megapixels, and a burst rate of 5 FPS. A 3″ LCD (but fixed) screen and the ability to record 1080p video at 60 FPS makes this a good choice for videographers as well. The D3300 was released in 2014 and has been a very popular choice for beginners ever since. Because this camera is only sold as a kit, you won’t have to purchase lenses to go with it.
Most 21st century video cameras are digital cameras which convert the signal directly to a digital output; such cameras are often small, even smaller than CCTV security cameras, and are often used as webcams or optimized for still-camera use. The majority are incorporated directly into computer or communications hardware, particularly mobile phones, though analog video equipment remains in use.
The use of a lens in the opening of a wall or closed window shutter of a darkened room to project images used as a drawing aid has been traced back to circa 1550. Since the late 17th century, portable camera obscura devices in tents and boxes were used as a drawing aid.
For some reason I thought it had an external battery charger where you’d take out the battery and plug it in to charge, rather than charging the battery in-camera. My mistake! Looks like the AC adapter should come in the box, and if not, it looks like it’s just a USB charger anyhow.
In CES (January) 2014, Sony announced the first consumer/low-end professional (“prosumer”) camcorder Sony FDR-AX100 with a 1″ 20.9MP sensor able to shoot 4K video in 3840×2160 pixels 30fps or 24fps in the XAVC-S format; in standard HD the camcorder can also deliver 60fps. When using the traditional format AVCHD, the camcorder supports 5.1 surround sound from its built-in microphone, this is however not supported in the XAVC-S format. The camera also has a 3-step ND filter switch for maintaining a shallow depth of field or a softer appearance to motion. For one hour video shooting in 4K the camera needs about 32 GB to accommodate a data transfer rate of 50 Mbit/s. The camera’s MSRP in the US is USD $2,000.[6]